The Imperial War Museum in Duxford During WWI, Duxford was built. One of the first
RAF bases. Duxford was one of many new RFC airfields built in 1917. Unlike many
RAF airfields, it remained open after the war. It was a training school until 1924,
when it became a fighter station. In 1938, No. 19 Squadron at RAF Duxford was the
first to receive the Supermarine Spitfire. First Spitfire arrived at RAF Duxford
in August. In June 1940, Germany occupied Belgium, Holland, and France. Britain
was Germany's next target. Fully operational RAF Duxford. The Battle of Britain
followed with much air combat. It defended British airspace. On "Battle of Britain
Day" (September 15, 1940), its squadrons intercepted Luftwaffe attacks on London.
Test and trial units left the station. The RAF needed to know how its new plane
would perform in combat before handing it over to the USAAF. The 78th Fighter Group
arrived at RAF Duxford in April 1943. Their mission was to protect Eighth Air Force
bombers during dangerous daylight raids on Germany.
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Every available 78th Fighter
Group Thunderbolt attacked targets behind the Normandy beachheads on D-Day, June
6, 1944. RAF reactivated Duxford after WWII. Its final operational phase began.
Gloster Meteor, Hawker Hunter, and Gloster Javelin jet fighters were ready to shoot
down Soviet bombers. The defence requirements that had made Duxford a fighter station
were no longer present. Too far south and inland to justify supersonic fighter changes.
The last flight from RAF Duxford took off in July 1961, and its future was unknown
for 15 years. IWM needed a place to store, restore, and display exhibits too large
for London. This was allowed on the airfield. Cambridgeshire County Council, Imperial
War Museum, and Duxford Aviation Society revitalised the aerodrome. Europe's aviation
history centre is IWM Duxford. This museum has a historic site, world-class exhibits,
and famous Air Shows. Cambridge University Botanic Gardens CUBG has over 8,000 plant
species from around the world. Teaching and research benefit from this. The Garden
offers researchers and teachers plants, horticultural knowledge, and facilities.
The Garden has always been a beautiful place to learn and enjoy. Its stunning landscapes
teach visitors about plant diversity. Cambridge's first Botanic Garden opened in
1762 in the New Museums Site. It grew medical-student-training plants. John Henslow
accepted the University's Botany Chair at age 29. Botany was declining. It had been
30 years since the last lecture at the city's Botanic Garden. Henslow's determination
and political acumen convinced the University to move the Botanic Garden to a larger
site so experimental botany could join the early 1800s rise of natural science studies
at Cambridge. The additional acres would allow for the cultivation and study of
new tree species in western North America. Botanic gardens are no longer just drug
plant nurseries for medical students. Henslow wanted to study the plants in the
Garden. Trinity Hall gave the University a 16-hectare plot of land one mile south
of the city centre in 1831, but legal issues delayed development. Due to cost, the
University only paid to develop the western half of the land in 1846. The garden
was designed by Andrew Murray and Henslow. Murray's design includes a circling path.
The Main Walk, lined with conifers, runs east-west. Outside the perimeter path,
a belt of same-family trees was planted. A U-shaped lake was north of the Main Walk,
and herbaceous systematics beds were south. This plan created today's Grade II*
heritage landscape. The "Gardenesque" style combines plants and landscapes. Castle
Hill Castle Hill has no ruins but is important to Cambridge's history. Duroliponte,
an Iron Age hill fort, was here. Climbing to the top of the Castle Mound provides
a panoramic view of the town's rooftops and the surrounding countryside. Clear skies
in the north reveal Ely Cathedral. William I built Cambridge Castle in 1068 to fend
off Hereward the Wake. Matilda's Anarchy forces besieged it but failed. During the
First Barons' War, French forces seized the castle. In the late 1300s, a large portion
of the building was rebuilt, but it fell into disrepair. People lived on Castle
Hill during the Bronze and Iron Ages, where a later mediaeval fort was built. Ermine
Street was built after the Romans conquered Britain in 43 AD to connect London to
the north. West Cambridgeshire was affected. After AD 60's Boudica rebellion, the
military built a fort on Castle Hill. Akeman Street led to Ermine Street. It was
rebuilt in the 70s AD, but the military abandoned it and it became Duroliponte,
which thrived near a road and the River Cam. In the fourth century AD, Danish and
German raiders used the river to reach Rome by boat. Limestone walls protected the
area. Early in the fifth century AD, the Angles took over Cambridgeshire. Mercia
took over the county in the late eighth century AD. Mercians ruled Cambridge until
875, when Guthrum fortified it as part of the Danelaw. King Edward the Elder of
Wessex invaded Cambridgeshire in 905. 921 saw Cambridge's fortification (town).
Earth and wood ramparts backed by a ditch surrounded an elliptical area with the
River Cam on the west side. By the 10th century, Cambridge was one of Eastern England's
largest towns. The Central Mosque Cambridge Cambridge Central Mosque is Europe's
first eco-friendly mosque. Its mission is to promote best practises in faith, community
development, social cohesion, and interfaith dialogue. Cambridge Central Mosque
opened April 24. Julia Barfield says a mosque's appearance is fluid. In Egypt, Andalusia,
Turkey, Indonesia, and the Arabian Peninsula, mosques reflect the local aesthetic.
It could be pagoda-style pavilions in China or mud bricks in Sub-Saharan Africa.
It could have one dome, multiple domes, or a flat roof with many columns. Stone,
wood, or concrete are used. In the late 19th century, Liverpool and Woking, Surrey
built the first mosques in the UK. However, the typical style of a British mosque
remains unknown: the most common approach, often driven by the need to serve as
many people as possible within limited budgets, is to build a plain box that is
then decorated with motifs referring to the main country of origin of the congregations
- Ottoman for Turks and Cypriots, Moghul for people from the subcontinent - or from
which the majority of the funding came. All Saints Church All Saints', with its
pale stone spire, stands opposite Jesus College in Cambridge. It was built in the
1860s to the designs of renowned 19th-century architect G.F. Bodley and is considered
a masterpiece of Victorian art and architecture. Every surface is painted, stencilled,
or gilded, and flowers cover the walls. There are light-emitting stained-glass windows
designed by prominent Arts and Crafts artists such as William Morris and Ford Madox
Brown.
Sofa Cleaning Cambridge Omegaclean The Churches Conservation Trust looks after the structure, which is open
to the public every day. All Saints', with its pale stone spire, stands opposite
Jesus College in Cambridge. It was built in the 1860s to the designs of renowned
nineteenth-century architect G.F. Bodley and is considered a masterpiece of Victorian
art and architecture. The wooden door conceals a vibrant display of colour and pattern.
The stained-glass windows were designed by leading Arts and Crafts artists such
as William Morris, Edward Burne-Jones, and Ford Madox Brown. The Corpus Clock Since
its unveiling in 2008, the Corpus Clock has been regarded as one of Cambridge's
most distinctive public monuments by both locals and visitors. It is a one-of-a-kind
timepiece that is both hypnotically beautiful and deeply disturbing. It was invented,
designed, and donated to Corpus Christi College by Dr John C Taylor OBE FREng (m1959)
(m1959). The Clock was built in collaboration with the local engineering firm Huxley
Bertram. The clock's gold face and ripples allude to the Big Bang, the central impact
that created the universe and the start of time. The clock is perched on a 'Chronophage,'
which translates as 'time-eater,' because it devours each passing minute with a
snap of its jaws. It evolved from John Harrison's 18th-century grasshopper escapement.
It appears difficult to tell the time at first because the Corpus Clock lacks hands
and digital numbers. The innermost LED ring displays hours, minutes, and seconds.
At the hour, chains sway and a hammer hits a wooden coffin. Time passes and we all
die, as the Latin inscription below the clock says: mundus transit et concupiscentia
eius. The pendulum is also inscribed in Latin: Joh. Sartor Monan Inv. MMVIII, which
translates as "Joh. Sartor Monan Inv. MMVIII." Joh. is the name Johannes, Sartor
is the mediaeval Latin word for tailor, Monanensis is the Isle of Man, Inv. is the
verb invenit, which can mean discovered/made/brought to fruition, and MMVIII is
the year 2008. Isle of Man's John Taylor did this in 2008. The Clock stands on the
site of a Natwest Bank, a building designed by architect Horace Francis in 1866
to house the London County Bank. Market Square Cambridge is known for its many markets,
and merchants have set up shop in the historic market square in the city's heart
since the Middle Ages. Street food, books, vinyl, CDs, and DVDs are just a few of
the items available at the stalls, which are open Monday through Sunday from 10
a.m. to 4 p.m. Clothing, jewellery, and bags are examples of such items. Fruits,
vegetables, and fresh fish are high in nutrients. Garden plants and used bicycles
for sale There is much more to mobile phones and their accessories! Sundays from
10 a.m. to 4 p.m., the market square hosts a food, arts, and crafts market. The
market's vendors sell organic produce grown by local farmers as well as works created
by some of the area's most talented artists, craftsmen, potters, sculptors, and
photographers. The Mathematical Bridge The bridge was designed by William Etheridge
(1709-1766) in 1748 and built by James Essex the Younger in 1749. (1722–84). (1722–84).
It was repaired in 1866 and rebuilt in 1905 with the same design. The riverside
building, which was built around 1460 and is Cambridge's oldest building on the
river, is visible on the right side of the image. It is now incorporated into the
President's Lodge. The design is a minor engineering triumph from the mid-18th century.
James King, who died in 1744, created it. The bridge is made up of several shorter
pieces of wood that span a 50-foot river. The horizontal piece that appears to span
the entire river, for example, is actually made of six shorter pieces of wood joined
end-to-end. The design is a wooden version of a voussoir arch bridge, with each
part compressed by the force of gravity acting on the entire structure: The compressive
forces at the arch's springing point must be balanced by strong abutments for a
voussoir bridge to function. Bending wood weakens it (think about how easy it is
to break a match by bending it) (think about how easy it is to break a match by
bending it). The timbers in the side trusses do not have to bend much or at all
in this bridge design: The triangulation in the side trusses gives them strength
without becoming too heavy, and it keeps the joints between the arch's segments
from bending. Because the sides aren't filled in, side winds don't cause as much
damage to the structure. The only cross-bracing is located beneath the walkway.
It was claimed that if a side truss needed a new piece of wood, that piece could
be removed and replaced without affecting its neighbours or requiring the entire
bridge to be dismantled. This has never been tried in the real world. The Wren Library
The Wren Library is one of Cambridge's most well-known and historically significant
college libraries. You should go if you like books, old buildings, or both. The
library was designed by Sir Christopher Wren, a well-known British architect and
stonemason. It is one of several buildings he designed or built at Cambridge colleges.
Two more of his works in Cambridge are the chapel at Emmanuel College and the Wren
(Kitchen) bridge at St. John's (although he did not build this) (although he did
not build this). This library houses the most valuable and well-known books in all
of Cambridge. The first edition of Sir Isaac Newton's Principia Mathematica, as
well as the first two folios of Shakespeare's works, are housed here. It also contains
original Winnie the Pooh drawings by A.A. Milne.